(This is an
edited version of a talk given at the open council of The International Council
of 13 Indigenous Grandmothers in Stockholm July 14th 2013)
Thank you
Grandmothers for being here, thank you for the work you do and thank you for
inviting me to give this talk on some of the sacred things in the Nordic
spiritual tradition. To make it possible for me to talk about these sacred
things I ask for guidance and protection from the East wind, from the South
wind, from the West wind, from the North wind, from Mother Earth and from
Father Sky, The Great Mystery.
I have been
working for more than 30 years trying to revive or reawaken the Nordic
spiritual/shamanic tradition – a tradition that has been waning for more than
1000 years and in fact was extinct. How do you revive an extinct tradition?
That question I asked the Lakota wise man Archie Fire Lame Deer whom I met in
Rotterdam in 1980 at the Russell Tribunal on the situation of the Indians of
the Americas. Archie Fire was there as spiritual advisor to the representatives
of the American Indian Movement. He said that he wouldn’t give me such an
advice since the White man always had told the Indians what to do, but – he
added – if you go back to the time before the Christian missionaries came to
you then you will probably find a lot of inspiration. This is what I have been
working on since that meeting.
I have used
three main sources in my work to reconstruct the Nordic shamanic tradition:
- the
popular healing arts that were practiced well into the 20th century
and was labeled as trolldom or lövjeri,
- the
Edda poems, songs and stories that were written down in Iceland 900 years ago
and that contain fragments from the really old original stories from Dreamtime,
- Mother
Earth and her sacred sites that speak to us and let us take part of her
knowledge if we use traditional methods such as vision quests, walkabouts,
ceremonies, prayers and, specifically for the Nordic tradition – the runes. I
will come back to the runes later on.
Mother
Earth is the main source of knowledge of the old spiritual tradition since the knowledge;
the old stories from Dreamtime are still present in the landscape – if you just
learn to listen in a humble way. Many of the old sacred sites though have gone
asleep since no one talks to them anymore, so they have to be reawakened.
The main characteristics
of this traditional paradigm are:
- everything
is connected,
- everything
is alive, is conscious and has spirit, personality and its own will,
- all
is related and reciprocity is the main essence of all relations,
- The
Holy Wind – önd in Nordic tradition –
is the primordial power of life; the power that keeps us all alive.
In the
first song in the Poetic Edda the cosmology is presented by the first shaman –
a female shaman called völva in
Swedish. She knows how it all started and she knows the essence of cosmos. She
tells about the creation of everything out of the great void, the great
emptiness called Ginnungagap. Nothing
existed except that great void, but in that great void heat and cold met and
from that meeting an enormous two-gendered giant was created – called Ymer. At the same time a primordial cow
was created that nurtured Ymer with her milk. Probably this was a female moose –
a motive we can find in many of the ancient rock carvings in Norway, Sweden and
Siberia. This cow was called Audhumbla.
Ymer procreated several giants and sacred beings with him/herself. Three of
these sacred beings – Oden, Vile and Ve
– slayed Ymer and built the earth from his/her body, from his/her blood they
created the oceans, lakes and rivers, from the body hair they made the forests
and the skull was transformed into the sky. In Nordic tradition the number
three is a sacred number, as well as four, so there is no coincidence that they
were three sacred beings building the world and ordering cosmos, dividing day
and night, summer and winter and so on. One day when walking on the beach they
found two tree trunks – Ask and Embla (Ash and Elm) – that they
transformed into the first humans.
The first
shaman also tells about the world tree, Yggdrasil.
This is a giant ash and its name means Oden’s horse since the male master
shaman Oden gained his knowledge of the runes after hanging in the world tree
for nine nights. Yggdrasil is a description of cosmos as an organic, living
being. Nothing exists outside the world tree which is said to contain nine
different worlds. The world tree has three roots; one comes from Mimer’s well, where a wise giants sits
watching the sacred water. By drinking from Mimer’s well you will get wise but
you have to sacrifice something to get that drink. Oden sacrificed one of his
eyes. Another root comes from Hvergelme,
the well from which all waters stem, and the third root comes from Urd’s well. By Urd’s well we find three
female sacred beings weaving the cosmic web. They are called Urd, Verdandi and Skuld, names that have been translated as the past, the present and
the future, but I think that this is more of a depiction of time as something
that can’t be divided – an eternal now, an all-time. Weaving the cosmic web
that encompasses everything the norns carve the runes into that web – they are
the first creators of the runes. The story about Urd’s web is a way of
describing that we are all related and connected and what you do a one “spot”
in that web will affect things all over the web.
The primal state
of the cosmic web is balance; there is balance between chaos and order, between
destructive and constructive powers, between life and death, between humans and
animals, between humans and plants, between humans and the spirit
world/non-ordinary reality, between Father Sky and Mother Earth, between male
and female powers. If this original dynamic balance is disturbed we were given
sacraments by the sacred beings; ways to restore harmony and balance – such as
the sacred sites of Mother Earth, ceremonies, prayer, the specific Nordic
shamanic trance method called sejd
and the runes, which are a very specific feature of the Nordic spiritual
tradition.
The runes
are a Nordic mandala; the runes are intertwined; one follows the other and one
is transformed into another and they do exist as a totality. The word runa means secret or hidden wisdom. The original
runes consist of 24 signs and sounds that describe all the constituting powers
of cosmos. They move in a circle or rather a spiral with no beginning and no
end. They are a tool to understand the essence of everything and connect to
Mother Earth since the runes originate in her. The runes are a map of cosmos, a
story of how cosmos is constructed and a description of the spiritual essence
of everything. They are held together in a balanced system that is in constant
motion and process. In the runic system you will find the four directions, the
four elements, the four seasons, the four parts of the day, chaos and order,
life and death, male and female; yes knowledge of everything if you treat them
with respect.
When
singing the runes you take part in the great cosmic dance, you take part in the
ongoing creation and the re-balancing of the great cosmic cycles. You
re-balance yourself, Mother Earth and her sacred sites. This is what I consider
as the most urgent task for us today; to re-awaken, protect and preserve the
sacred sites of Mother Earth.
The runes
represent a Nordic Blessingway and I will conclude my talk by singing the runes
for you all grandmothers, for everybody else taking part in your work – at this
meeting or elsewhere – and I sing for the harmony and balance of Mother Earth.
Ur-Thurs-Ass-Reid-Ken-Gifu-Wynja-Hagal-Naud-Iss-Jara-Pertra-Eoh-Algiz-Sol-Tyr-Bjarka-Eh-Madr-Lagu-Ing-Odal-Dagaz-Feh
(three times!).
Thank you.
“Mitakuye Oyasin!
